【正文】 narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。m nothing if not that! In his text he expounds on the idea that one must give their life a purpose. And that is the true topic of this entry. These last four years have been so easy: teach for a grand total of six hours a week, and the rest of my time is mine. Since I39。ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of society and finding one39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。布思 .風(fēng)景園林設(shè)計要素 [M].曹禮昆 ,曹德鯤 ,譯 .北京 :中國林業(yè)出版社 ,1989. [3] 趙愛華 ,李冬梅 ,胡海燕 ,等 .園林植物與園林空間景觀的營造 [J].西北林學(xué)院學(xué)報 ,2022,19(3):136138. [4] 李偉強(qiáng) .園林植物空間營造研究 [D].杭州 :浙江大學(xué) ,2022. [5] 馬娛 ,于宗順 .園林植物造景的空間組成分析與研究 [J].山西建筑 ,2022,34(36). 您好，為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝！??！ A large group of tea merchants on camels and horses from Northwest China39。在論文的用詞上，郭老師也是十分細(xì)心，只要用詞不當(dāng)?shù)牡胤?，她都用紅筆勾出，并在旁邊提出了建議供我參考，在寫畢業(yè)論文的全過程中，我很感謝郭琛老師，是她認(rèn)真負(fù)責(zé)的態(tài)度讓我的畢業(yè)論文順利完成，讓我為我的大學(xué)生活交上了一份滿意的答卷。值得一提的是 ,植物所構(gòu)成的空間除現(xiàn)實中的立體三維空間外 ,還包括時間這一不可或缺的維度 ,統(tǒng)稱四維空間。在園林植物空間中 ,漏景、框景、夾景和借景的運用 ,使空間之間產(chǎn)生流動感 ,增加景深 ,豐富空間的層次。選用通透的植物可以使視線流通 ,但空間仍被阻隔。植物亦能形成空間明暗的對比 ,如枝繁葉茂的空間顯得幽暗 ,而一片開闊的草坪則顯得明朗 ,二者通過對比能使各自的空間特征得到加強(qiáng)。勒對比手法運用于園林植物空間營造中 ,同樣富有成效。若干個大小不同的空間可通過成叢、成片的喬灌木相互隔離 ,使空間層次深邃 ,意味無窮。再者 ,受市場經(jīng)濟(jì)的沖擊及傳統(tǒng)的古典造園理論的影響 ,在園林建設(shè)中人文景觀投資大 ,占地多 ,植物造景用的植物種類仍局限在傳統(tǒng)的種類及配置方式上。在城市園林植配置上 ,不僅注重植物的造景功能 ,更注重植物的抗污功能?，F(xiàn)在 ,由于環(huán)境惡化 ,人類愈來愈 渴望回歸大自然。還有柳林草坪區(qū)與合歡草坪區(qū) ,配植以四時花木。將這 3 類空間通過一定手法經(jīng)過一系列的串聯(lián)、組合構(gòu)成相互聯(lián)系的空間序列 ,能夠產(chǎn)生多種多樣的整體效果。 半封閉空間與開敞植物空間相似 ,該空間由基面、豎向分隔面共同組成 ,但它的空間一面和多面部分受到較高植物的封閉 ,或者其封閉面較多 ,但由于植物材料稀疏而導(dǎo)致整體封閉性較差。該類空間具有極強(qiáng)的隱密性和隔離感。使用不同程度的通透植物 ,能達(dá)到不同的漏景效果。 植物材料如一道屏障 ,能阻擋或者引導(dǎo)人們的視線。 由于植物具有屏蔽視線的作用 ,因而私密控制的程度 ,將直接受植物的影響。樹干越多 ,空間圍合感越強(qiáng)。 1 植物的建造功能 植物可以用于空間中的任何一個平面 ,在地平面上 ,以不同高度和不同種類的地被植物 或矮灌木來暗示空間的邊界。 道路綠化作為城市設(shè)計中重要的一環(huán)，直接關(guān)系到城市的形象，通過帶狀或者塊狀的“線”性組合，使城市綠地連 為一個整體，成為建筑景觀、自然景觀以及各種人工景觀之間的“軟”連接。與水體結(jié)合時，既要考慮到水體的形狀也要考慮整體效果，不能過密的栽植，阻擋水