【正文】 。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeas t China39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。m nothing if not that! In his text he expounds on the idea that one must give their life a purpose. And that is the true topic of this entry. These last four years have been so easy: teach for a grand total of six hours a week, and the rest of my time is mine. Since I39。ve not yet read it, I strongly encourage you to do so. In this essay, the venerable Emerson talks about eschewing the trappings of society and finding one39。s cultural foray overseas, has been widely panned by its home audience. Retitled Empresses in the Palace, the American version has been shortened from its original 76 episodes at 45 minutes each, to six 90minute episodes. The quick pacing threw off many native viewers, who are accustomed to a more leisurely daytimesoapstyle narrative rhythm. (Chinese TV stations would run two or three episodes every day.) I did not finish the fulllength version and found the truncated one not difficult to follow. What39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。 商丘科技職業(yè)學(xué)院畢業(yè)論文（設(shè)計(jì)） 15 參 考 文 獻(xiàn) [1] 《全國(guó)統(tǒng)一工程量清單計(jì)價(jià)辦法》 [2] 《工程量清單佳佳規(guī)范》 [3] 《全國(guó)統(tǒng)一建筑工程預(yù)算工程計(jì)算規(guī)則》 [4] 高武喜 .山西高速公路工程招標(biāo)評(píng)標(biāo)辦法報(bào)價(jià)分析【 J】 .山西建筑，2021， ,35（ 11）： 241242 [5] 高選敏，武漢永欣建設(shè)工程咨詢(xún)有限公司工程師 商丘科技職業(yè)學(xué)院 2021 屆畢業(yè)生畢業(yè)論文（設(shè)計(jì)） 為你提供優(yōu)秀的畢業(yè)論文參考資料，請(qǐng)您刪除以下內(nèi)容， O(∩ _∩ )O 謝謝?。?！ A large group of tea merchants on camels and horses from Northwest China39。建議有關(guān)管理部門(mén)推動(dòng)有實(shí)力的軟件公司進(jìn)一步研究，編制出工程量清單計(jì)價(jià)與預(yù)算定額計(jì)價(jià)模式相互轉(zhuǎn)換的軟件程序方便招標(biāo)人準(zhǔn)確、合理地確定預(yù)算控制價(jià)。 兩種方法計(jì)算差異客觀存在，小型工程的差額不明顯，工程量清單計(jì)價(jià)一般不會(huì)超出施工圖預(yù)算價(jià)或超出很少，但對(duì)于大中型工程就會(huì)產(chǎn)生較大的麻煩，超出施工圖預(yù)算數(shù)額較大。工程類(lèi)別越高、人工、材料、機(jī)械的價(jià)差越大，則二者之間的差異越大。但是現(xiàn)在由于各種原因，投標(biāo)人在編制投標(biāo)報(bào)價(jià)時(shí)除少數(shù)定額缺項(xiàng)、特殊工藝項(xiàng)目外，絕大部分項(xiàng)目套定額按工程量清 單計(jì)價(jià)法計(jì)算。工程量清單計(jì)價(jià)優(yōu)點(diǎn)在于采用綜合單價(jià)計(jì)價(jià)，綜合單價(jià)中綜合了工程直接費(fèi)、間接費(fèi)、利潤(rùn)和稅金等其他費(fèi)用，有些還綜合了技術(shù)措施費(fèi)及施工單位降低的成本費(fèi) (與現(xiàn)行國(guó)家頒布的定額及費(fèi)用水平相比 )。 工程設(shè)計(jì)概算是建設(shè)項(xiàng)目初步設(shè)計(jì)階段計(jì)算工程投資與造價(jià)的文件，是初步設(shè)計(jì)文件的重要組成部分。 兩種方法費(fèi)用計(jì) 算對(duì)比表（表三） (略 ) 注：本表在對(duì)比時(shí)省略了施工技術(shù)措施費(fèi)與施工組織措施費(fèi)、風(fēng)險(xiǎn)因素等內(nèi)容 由上表可以看出差異主要是因?yàn)槭┕す芾碣M(fèi)和規(guī)費(fèi)的取費(fèi)基數(shù)不同引起，在鋼材等市場(chǎng)價(jià)比預(yù)算價(jià)高出一倍以上的情況下差異愈來(lái)愈明顯。（詳見(jiàn)下表二） (略 ) 工程量清單計(jì)價(jià)與定額計(jì)價(jià)產(chǎn)生差異的原因 按照工程量清單計(jì)價(jià)規(guī)范的規(guī)定，對(duì)分部分項(xiàng)工程計(jì)價(jià)要采用綜合單價(jià)，它包含一個(gè)規(guī)定計(jì)量單位項(xiàng)目所需的人工費(fèi)、材料費(fèi)、機(jī)械費(fèi)