【正文】 rock rock carvings, was built in the first year of Tang 6th(650), through the Five Dynasties period, pared to the 10971138, remnants until Ming and Qing, China advanced stone works of Rock Carvings in Chongqing Municipality is Dazu County Cliff main performance figures of the grotto art published for the heritage conservation units Cliff figures up to 75, more than 50,000 body statue, inscriptions 10 million , in the northern mountains, Grotto Mountain, Nanshan, Stone Fragrance Hill, Cliff Shimenshan most prevalent Rock Carvings on December 1, 1999 by the UNESCO as a cultural heritage on the World Heritage stone statues in Beishan Cliff Dazu County, Longgang Town of km and Tang drilled in the first year of King Fuk Shaoxing 31 years to the Southern Song Dynasty(8921162), through numbered 290, figures of 10,000, with carving delicate, exquisite, elegant known to Songyilian display of the late Tang Chinese folk belief and Buddhist grotto art style of the development and change, Hailed as the Tang and Song stone art Late Tang sculptures graceful fullness, temperament knew ends finer go about in bodyfitted with Tang particular resolution 245 AmitayurBuddhist disguised as rich, structured, engraved with the figure Category 539, all kinds of shapes more than 460 pieces, preserving the image of the various grotto in similar subjects were leading Dynasties works Beishan figures for the third over this period is the most prevalent, have an important role in the characteristics are small and exquisite, the posture changes, looked relaxed and patterns bee increasingly prosperous Korea, showing by the transition Yuerlian to Songyilian Tang Southern Song Dynasty statues most prominent, known as “the Chinese Goddess of Mercy taken at the museum.”During this period more work to the life, embodies the aesthetic appeal of the Song have distinct personalities, body beautiful, mellifluous, wearing gorgeous most representative is by the runner possession Cave, has been regarded as the “Chinese grotto art crown of a pearl.”Trip Ideas Cliff stone sculptures in Dazu county northeast 15 km and Chi Buddhist monk from the Song Dynasty in the Southern Song Feng Chienchun years(11741252), which lasted more than 70 to the Big Buddha, the Buddha39。在我身后的這位呢，就是我們本次行程的司機(jī)張師傅。最終形成了一處規(guī)模龐大，集中國石刻藝術(shù)之大成的石刻群，堪稱中國晚期石窟藝術(shù)的代表，與云岡石窟、龍門石窟和莫高窟齊名，1999年12月1日，被聯(lián)合國教科文組織列入《世界遺產(chǎn)名錄》。關(guān)于大足石刻名稱的由來有兩種說法，一是大足為傳統(tǒng)農(nóng)業(yè)區(qū)，氣候溫和，風(fēng)調(diào)雨順，收成穩(wěn)定、人民安居樂業(yè)，為大足大豐之地，故得名。北山石刻以當(dāng)時(shí)流行的佛教藝術(shù)為主，體現(xiàn)了佛教的世俗化，其轉(zhuǎn)輪經(jīng)藏窟被公認(rèn)為是“中國石窟藝術(shù)皇冠上的一顆明珠”。石門山石刻位于大足縣城20千米處，始刻于北宋紹圣元年至南宋紹興二十一年〔1094年－1151年），為佛教、道教合一的造像區(qū)，尤以道教造像最具特色。大家請(qǐng)看，在你們面前的就是六道輪回圖，又名“六趣圖”?！盁o?！笔欠鸾讨械囊粋€(gè)名詞，是指大千世界的萬事萬物都是瞬息萬變、剎那生滅的，這里把無常人格化就成了“無常鬼”，由他來掌握生死輪回，表示世間萬物沒有什么是永恒的，它怒目獠齒死咬輪盤，兩臂緊鉗輪盤，象征著業(yè)力即因果報(bào)應(yīng)不可逆轉(zhuǎn)。每道光上有若干小圓圈，圈內(nèi)刻著佛或菩薩，表示“眾生皆有佛性，眾生皆可成佛”。上三道的正中為天道，右邊為阿修羅道，左邊為人道。任何生命在沒獲得解脫之前，都在這個(gè)過程中循環(huán)，佛教認(rèn)為這個(gè)過程都是痛苦的，只有皈依佛門修成正果才能擺脫這種痛苦。皮囊則是靈魂，佛教認(rèn)為不管軀體如何變化，靈魂是永恒不變的。早期的涅槃像多這樣表現(xiàn)，后來逐漸發(fā)生了變化，畫面變得肅穆寧靜。游客朋友們，這就是九龍?jiān)√?。路?jīng)藍(lán)毗尼花園時(shí)，她剛抬起右手摘花之時(shí)，釋迦牟尼就從其右腋鉆出。這時(shí)兩位力士手捧金盆凌空而至，又飛來九龍吐冷暖二水為他洗禮。絹絹細(xì)流長年不斷地從太子身上滑過，流入下面的小池，再經(jīng)旁邊的“九曲黃河”排出去。主要造像有護(hù)法神像六道輪回牡牛道場(chǎng)其中最著名地就是數(shù)千手觀音了。妙善從小虔誠信佛，出家當(dāng)了尼姑。好，我們斷續(xù)往前走，小心，上臺(tái)階，注意安全，里面的石刻還有很多，你們看了一定受益匪淺，我就講到這里了，請(qǐng)大家自由參觀，也請(qǐng)大家注意保護(hù)文物和保持環(huán)境衛(wèi)生，我們兩小時(shí)后這里會(huì)合。重慶大足石刻導(dǎo)游詞（一）大足石刻是重慶大足縣境內(nèi)所有摩崖石刻造像藝術(shù)的總稱，反映了佛教中國化、世俗化、生活化的進(jìn)程，是集儒道佛三教造像于一體的大型石窟造像群，最初開鑿于初唐永徽年間（650年），歷經(jīng)晚唐、五代，盛于兩宋，明、清時(shí)期亦有