外國語學院本科生英語專業(yè)畢業(yè)論文裝訂順序mla格式(已修改)
2025-06-21 23:53 本頁面
【正文】 外國語學院本科生英語專業(yè)畢業(yè)論文裝訂順序（MLA 格式）（注：此格式用于文學、翻譯方向的論文）1. 畢業(yè)論文封面（漢語）2. 畢業(yè)論文首頁 （英語）3. 致謝（英文）4. 畢業(yè)論文中文摘要及關(guān)鍵詞5. 畢業(yè)論文英文摘要及關(guān)鍵詞6. 目錄7. 正文8. 尾注（可選）9. 參考文獻（英語文獻在前，漢語文獻在后）10. 附錄（可選）附：論文模板（模板內(nèi)容僅供參考，畢業(yè)生可根據(jù)實際情況填寫） 學號：060501010085 從后現(xiàn)代主義視角看《等待戈多》的反戲劇手法學 院 名 稱： 外 國 語 學 院 專 業(yè) 名 稱： 英 語 教 育 年 級 班 別： 2022 級 5 班 姓 名： 劉 海 濤 指 導(dǎo) 教 師： 李 慶 東 年 月 河南師范大學本科畢業(yè)論文20 磅字號，華文中宋，加粗，居中四號黑體黑體，小三，居中A Study of “Antiplay” Techniques on Waiting for Godot from the Perspectives of PostmodernismA Thesis Submittedto Faculty of International Studies of Henan Normal Universityin Partial Fulfillment of the Requirementsfor the Degree of Bachelor of ArtsByYour nameSupervisor：Li Qingdong英文年月日IAcknowledgements (Times New Roman 三號 粗體 居中) I would like to thank all those who have given me their generous helps, mitment and enthusiasm, which have been the major driving force to plete the current paper. …Times New Roman 五號， 倍行距全文每段首行縮進 35 個字符羅馬數(shù)字編排頁碼II摘要（此處為宋體，小二號，粗體）本文作者嘗試從后現(xiàn)代主義的視角去認識《等待戈多》的反戲劇手法，感受貝克特通過此劇所傳達的后現(xiàn)代主義精神。這里，本文關(guān)注了四個典型的后現(xiàn)代主義特征，它們分別是：主體的消失；深層模式削平；不確定性；戲擬和反諷。通過分析我們不僅看到他對傳統(tǒng)戲劇規(guī)范所進行的空前激烈的顛覆，也體會到他作為后現(xiàn)代主義的先驅(qū)所傳達給我們的后現(xiàn)代主義精神。貝克特高超的藝術(shù)手法不僅在風起云涌的現(xiàn)代主義文學運動中具有獨特的藝術(shù)價值，而且在剛剛興起的后現(xiàn)代主義文學的形式革新中獨領(lǐng)風騷。關(guān)鍵詞：塞繆爾貝克特；《等待戈多》 ；反戲劇；后現(xiàn)代主義宋體，小四號， 倍行距宋體，小四號，粗體III Abstract（Times New Roman，三號，粗體，居中 ）Samuel Barclay Beckett (19061989) was an Irishborn poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the literary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those antiplay techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Here, this thesis focuses on four typical features of postmodernism: the dissolution of the subject。 depthlessness。 indeterminacy。 parody and irony. By the analysis of Beckett’s antiplay techniques in Waiting for Godot, we can not only perceive how he overthrows traditional dramatic regulations thoroughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism. The prominent techniques of Beckett not only have inimitable artistic value in modernism movement, which is surging forward at his times but also leads literary excellence in the newly arisen postmodernism. Key words: Samuel Beckett。 Waiting for Godot。 antiplay。 postmodernismTimes New Roman 五號， 倍行距全文每段首行縮進 35個字符Times New Roman 五號 粗體
教學教案相關(guān)推薦
鄂ICP備17016276號-1