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how much hurtless she has suffered,and how much she has long before her best friend Helen has died in a fever,she disapart from Lwood school,and finished her painfull that she e to Thornfield as a tutor in that big house, then she meet her beloved ,the master of that deeply touched with each other,even there was some strange things happened,at last ,they e to a church and prepare to get they was told have a wife who was alive ,unfotunately,his wife was Eyre was hurt so deeply this time,so she she e back to her aunt, she find that her brother was died ,and her aunt was to aunt concealed the truth that her uncle leaved afortune to her after he she forgived her aunt,and told her she love she was leaved thornfield,she missed so much,at last ,she e to thornfield,and find was a deformed that doesn’t matter ,she loves him , and would take care of kindless she someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her story makes us thinking about life and we learn much from herexperience, at least, that is a fresh new recognition of the real beauty.第三篇:簡(jiǎn)愛(ài)英文影評(píng)簡(jiǎn)愛(ài)英文影評(píng)A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects。there is surprising chemistry between times, Welles is a downright “sexy” leading man!The script(credited to John Houseman and Aldous Huxley)captures the right “tone” of Victorian cruelty and Robert Stevenson39。s direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to strong supporting are briefthough memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as “young” Barnes39。 camera captures appropriately stark images of Ross Dowd and Thomas Little39。s Bronte39。s g