【正文】
型的就是迪斯尼與歡樂谷式的主題樂園。 那么這些體系又是如何生長、發(fā)育,乃至其具體形式表現(xiàn)為何? 首先本文認(rèn)為,主題公園這種景觀一定基于某種文化載體,該公園只是此文化的一種物質(zhì)化的載體,那么其背后的文化原因是指得去研究和深思的。由同隨著電子信息技術(shù)與傳媒技術(shù)的迅速發(fā)展,文化工業(yè)在近一個世紀(jì)以來的發(fā)達(dá)國家中蓬勃壯大已是不爭的事實。所以,消費社會中大眾文化的發(fā)達(dá)是必然的。 由以上粗略的比較可以看出,這兩所園林雖同處北京城,但是 因為其建造年代、建造動機(jī)、建造材料、審美取向、文化背景等等方面的不同,這兩個園林有著非常不同外在形象和內(nèi)在氣質(zhì)。 在此,我們無意以這樣的比較去定義孰好孰壞,只是將兩種相差極大的景觀樣式并陳,分別從其的背后文化成因進(jìn)行簡單的分析,由此可以看到審美傾向與整體社會哲學(xué)非常之密切的關(guān)系,以及與之衍生出來的文化產(chǎn)品非常緊密的姻親關(guān)系。反過來看,景 觀亦同時以物化的方式來反映整個世界,或者說能準(zhǔn)確反映當(dāng)代的文化 ,影視等其他門類藝術(shù)的方式來呈現(xiàn)。 園林 202103 班:孟娜 3 Classic landscape and modern park Using parative study way, based on traditional Chinese culture and aesthetics of the Summer Palace and based on modern consumer culture theme amusement park – happy valley parison, the culture behind respectively on the motive and economic incentives for parison and analysis, and its artistic design expression, and different ways of different aesthetic interest in parison, the paper probes two cultural background of the landscape design way differences. In classic culture and philosophy of digestion of the 20th century and even the early 21st century, the landscape design world raised a share whirlwind of construction of theme parks, this article is for this kind of social cultural phenomenon of observation and analysis from experience, the perspective of aesthetic culture, analyzes on the cultural facts. The culture of the reasons behind argumentation and topic development, by making theme parks behind the cultural causes and aesthetic tendency, and its operation in modern social background is a typical modern landscape characteristics. As is known to all, two parks are very popular with Beijing, the Summer Palace and happy valley. They may be the best of Beijing city popularity in two parks, with all the landscape characteristics and the thousand features all to their way of business within in four seasons are poured theatre. From the perspective of landscape , how to think the two landscape? The author mainly from two garden design technique and the aesthetic thoughts behind for analysis. First, from the Summer Palace for analysis, the Summer Palace in our country ancient artists will be natural beauty and architecture art, acmodation, rendezvous, so as to meet the nature and humanity Chinese aesthetic the highest level of one surprised works. The Summer Palace though is artificially garden, but like tian cheng, its building by flow because of high lying, borrow far, qiao ”in borrowing, precision in body appropriate, will YuYuan of strengths and north and south in the essence of private garden of the Abbey, mountain