【正文】 說明《春秋》的綱目，是儒家重要經(jīng)典之一2臘八節(jié)除了是中國的傳統(tǒng)節(jié)日，也是以下哪個教派的節(jié)日？ 答案：A “臘八”是佛教的盛大節(jié)日。桃花落，閑池閣。錯、錯、錯！春如舊，人空瘦。東風(fēng)惡，歡輕薄。茍能制侵陵，豈在多殺傷。（射人先射馬），擒賊先擒王。高樓當(dāng)此夜，嘆息未應(yīng)閑。由來征戰(zhàn)地，（不見有人還）。長風(fēng)幾萬里，（吹度玉門關(guān)）。3.“造釁”句——壞事的開端實在還在寧國府。作者諱言秦可卿引誘寶玉，假托夢魂游仙，說這是兩個多情的碰在一起的結(jié)果。程高本作“幻情深”，“深”是錯字。這是為了揭露封建大家族黑暗所用的托詞。漫言不肖皆榮出，造釁開端實在寧。其他有宣揚(yáng)君主權(quán)利來自上天的賜予，使皇權(quán)神化，以及實施仁政，強(qiáng)調(diào)法制，即“德主刑輔”，先對百姓進(jìn)行教育，教育無效時再用刑罰來鎮(zhèn)壓，這是一種剛?cè)嵯酀?jì)的治國方針，在被武帝采用之后，成為此后漢朝的法制指導(dǎo)思想。董仲舒向誰提出了“罷黜百家，獨(dú)尊儒術(shù)”？ D 漢高祖 答案：B 董仲舒的儒家思想對原來孔子的思想有了很大的發(fā)展，融進(jìn)了法家和陰陽家等其他學(xué)派的思想。趨：迎受。詩中表明了林在禁煙抗英問題上，不顧個人安危的態(tài)度，雖遭革職充軍也無悔意。戲與山妻談故事，試吟斷送老頭皮。請問這是誰的名言？ D 嚴(yán)復(fù) 答案：C 出自林則徐《赴戍登程口占示家人》一詩，全詩如下：“力微任重久神疲，再竭衰庸定不支。5“干支紀(jì)日”發(fā)是世界上延續(xù)時間最長的紀(jì)日方法，它于哪個朝代成型： 答案：B 干支是天干，地支的合成，甲乙丙丁等十干和子丑寅卯等十二支相配，共60組，一直沿用至今。這首詩是他有感于唐玄宗（即唐明皇）、楊貴妃的故事而創(chuàng)作的。”所以，時間最短的應(yīng)該是“一剎那”。3以下說法時間最短的是： 答案：B “須臾”、“彈指”、“剎那”都是是佛教中的一個時間量詞，出自于印度的梵語?！辈灰畹貌坏铰毼?，該愁自己拿什么來立在這位上。子曰：“不患無位，患所以立。2小張即將大學(xué)畢業(yè)，整天為找工作而發(fā)愁，他父親說：“不患無位，患所以立。大家也可以從獅子爪下的東西來辨別：如果爪下為球，象征著統(tǒng)一寰宇和無上權(quán)力，必為雄獅。國學(xué)知識大賽初賽試題二1在宮殿大門外一般都有一對石獅或銅獅，請問按建筑方位，古代宮殿大門前成對的石獅一般都是（石獅子在大門兩側(cè)的擺放都是以人從大門里出來的方向為參照的）： 答案：A 左雄右雌（石獅子在大門兩側(cè)的擺放都是以人從大門里出來的方向為參照的），符合中國傳統(tǒng)男左女右的陰陽哲學(xué)。何日歸甲洗客袍？銀字聲調(diào)，心字香燒。11 一片春愁待酒澆，江上舟搖，樓上簾招。晴川歷歷漢陽樹，芳草萋萋鸚鵡洲。10 《黃鶴樓》昔人已乘黃鶴去，（此地空余黃鶴樓）。與君離別意，（同是宦游人）?！钡乃枷胧且幻}相承的。” 孟子在描述他所理想的社會時說:“老吾老以及人之老，幼吾幼以及人之幼。整句話的意思是“在贍養(yǎng)孝敬自己的長輩時不應(yīng)忘記其他與自己沒有親緣關(guān)系的老人?！袄衔崂弦约叭酥?，幼吾幼以及人之幼。出自《孟子： 答案：D 宋代五大官窯分別是定窯，汝窯，官窯，哥窯，鈞窯7“老吾老以及人之老”是中華民族的傳統(tǒng)美德，這句話是誰最早提出的？ D莊子 答案：B 老吾老以及人之老，幼吾幼以及人之幼。即依靠咬嚼一種叫做“齒木”的枝條，摩擦牙齒表面，同時還用它刮舌，確保祛除細(xì)菌，保持衛(wèi)生?！背耸谝酝?，古代還有咬楊枝清潔口腔的習(xí)慣。2宣紙得名于它的： 答案：C 得名于宣紙的產(chǎn)地——安徽宣城。An American Writer Who Was Born in TianjinIt has been gone like smoke and time flies!In the autumn of 1981 when Tianjin Writers’ Association has just resumed its normal function in the wake of the Cultural Revolution, Hersey, ExChairman of American Writers’ Federation, came to had e to China as a tourist and made a point of ing to see his former home e Tianjin had bee Hersey’s hometown? What happened was that his father, a missionary from America, was in charge of Tianjin YMCA for many years and his mother, at the request of NankaiMiddle School, was there teaching interpreter offered a few humorous remarks that at NankaiMiddle School his mother had taught a student that later became a worldknown figure and this student was none other than Zhou added that Hersey had once said half jokingly that he had known this great figure when he was still in his mother’s was born in Tianjin in 1914, and left for America at the age of Tianjin had always been to the fore of his had visited Tianjin twice earlier, the first one in 1939 and the second in 1946, and this was his third was well prepared for his visit to interpreter again offered some extra information that, while in Beijing, he had asked someone to translate and read to him in English some works by Tianjin writers and he had a high opinion of “The Lotus Lake” by Sun Li and “The Visitor” by Fang Ji, and that gave us a glimpse of his attitude toward life and how he looked at social next day I was invited to the hotel where he stayed and we had a long talk in his put his pocket recorder on the tea table, saying he wanted to note down what I was going to say as it was being asked how Tianjin was affected by the Tangshan earthquake and then he said he would like to be furnished with some information about Tianjin writers, because, during his previous visits to Tianjin, it had never occurred to him that there was any writer in this he learned that writers in China were paid regular salaries, apart from contribution fees for their writings, he was so amazed that he put it in his notebook as if he had discovered something up the topic from where he left off I asked how he had managed to make a living by writing and he said he was currently employed as a journalist for a newspaper and a professor at a employment in the two occupations not only provided him with materials for creative writing and widened the range of his of his novels were developed on the reportage he had written as a journalist and others were conceived while he was teaching at university.第四篇：國學(xué)知識大賽國學(xué)知識大賽國學(xué)知識大賽初賽試題一1二十四節(jié)氣的“驚蟄”如何得名？ 答案：B 中國古代將驚蟄分為三候：“一候桃始華；二候倉庚（黃鸝）鳴；三候鷹化為鳩。這樣既保證了生活的收入，又豐富了創(chuàng)作的源泉，也開拓了學(xué)識的領(lǐng)域。我也順勢提出一問，他又是怎么靠稿費(fèi)維持生活的。他把微型錄音機(jī)放在茶幾上，要把我的原話和翻譯的譯語都錄下來。隨來他的翻譯又多說了幾句，說他在北京請人為他譯讀了天津作家的一些作品，對孫梨的《荷花淀》與方紀(jì)的《來訪者》評價很高，這就看出他對人生和現(xiàn)實的態(tài)度了。但天津一直留在他的心頭，1939年和1945年都來重溫過故鄉(xiāng)之夢，這次是第三次了。說他曾經(jīng)玩笑地說，他是在母親的肚皮里就已經(jīng)認(rèn)識這位偉大的人物了。s Christian Association）干事多年；他母親應(yīng)南開中學(xué)邀請到南開中學(xué)任英語教師。他是自費(fèi)來中國旅游，又是特地來重溫故鄉(xiāng)之夢的。1981年秋，天津作家協(xié)會剛剛恢復(fù)工作，曾任美國作家聯(lián)盟主席的約翰第二部分：漢譯英譯文（50分）出生在天津的美國作家歲月悠悠。通過他的大腦，如同通過最后一道蒸餾器一樣，那發(fā)端于諸神，并由諸神托付他去實現(xiàn)的思想精髓得以凈化。在蝴蝶那淡淡的香櫞色并布滿雅致的橘黃斑點的翅膀上，他看見莊嚴(yán)的金色大廳就在眼前，還有又細(xì)又高的金黃頂柱，并且懂得了那高墻上精巧的圖畫要用輕柔的雄黃色調(diào)來描繪，并要以更加莊重的色調(diào)為底色將其繪制下來。他觀察著她的花朵，不是用為植物學(xué)家采集實據(jù)的放大鏡，而是用一種眼光，她用這種眼光在她精選的燦爛色調(diào)和精妙色彩中可以看見即將誕生的畫面是多么和諧。當(dāng)傍晚富有詩意的迷霧象柔紗般地籠罩著河邊，破舊的建筑消失在朦朧的天空，高高的煙囪變成一座座鐘樓，大大小小的倉庫恍如夜間的宮殿，整個城市懸在了空中，宛若仙境展現(xiàn)在我們眼前，那時候，路上的人們匆匆走路回家；勞動者和文化人，智者和浪子，因為他們熟視無睹，他們也就不能理解，而只在此時才開始歌唱的大自然便把自己微妙的歌唱給藝術(shù)家——她的兒子和她的主人；說他是兒子是因為他愛她，說他是主人是因為他理解她。如果對畫家說他可以照大自然本來的樣子畫，就等于對演奏家說他可以一屁股坐在鋼琴的鍵盤上??白雪皚皚的高山若是變得清晰可見就失去了它的威嚴(yán)，但觀光者卻因為能看見山頂上的游客而喜形于色。and the Gods stand by and marvel, and perceive h