【正文】 y is still the pillar of the market. However, the overall sales rate has dropped slightly, which reflects the demand for the ordinary auction goods has weakened,‖ said the president of China Guardian’s Hu Yanyan. Besides, the entry of new buyers also makes certain changes to the direction of purchasing. In a word, the overall market trend is very unpredictable. Although China Guardian 2022 Spring Auctions has achieved remarkable results, it does not mean that the market has walked out of the predicament. We still have to wait for the big economic boom to invigorate the art market.‖ Even so, the hot pursuit of some special items appeared this spring. A special session of China Guardian Spring Auctions titled ―Fine Gilt—Bronze Buddhist Images‖ achieved a great deal with total sales volume of million yuan and 92 percent sale rate. The 5th Shamar Rinpoche Statue from 1617th century of Tibet was sold for million yuan. The Beijing Chengxuan Auctions featured almost 2,800 items of coins and stamps in three sessions with good sale rate. The Huachen Auctions also set a special session of photographs under the condition of largescale decline of auction sessions. There was a palpable dull thud of disappointment that acpanied the return of the imperial entourage of Zhen Huan to her homeland. It followed a couple years of hushed excitement as Chinese fans were fed tidbits about their proud concubine who was supposed to conquer the high ground of the North American market. Zhen Huan is, of course, the title character of The Legend of Zhen Huan, a 2022 television series that swept China off its feet and later took other Asian countries by storm. Two years ago, it was reported that HBO, a premium cable service headquartered in the United States, was going to air it in North America after some modification. Now, a condensed version that provides English subtitles but no dubbing has finally been made available on Netflix for online streaming. This version, highly anticipated as a milestone in China39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s performers of the troupe still tour the region39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。 一千年來，中國(guó)歷代許許多多的人熱愛蘇軾，這與 蘇軾的為人，情至深，義至重是分不開的，特別是為丈夫、為兄長(zhǎng)、為父親，他都有一份誠(chéng)摯的關(guān)愛之心，無情則不能成文，也正是親情成就了蘇軾詞作的巨大魅力。故衣尚懸架，漲乳已流床”。蘇軾的悲痛已近極至，朝云的哀傷更是可想而知，正如詩中寫的“我淚猶可拭，日遠(yuǎn)當(dāng)日忘。 仕途多絳的蘇軾在年近半百時(shí)，添了這個(gè)兒子，讓他郁郁寡歡的心得到了莫大的慰藉，可是剛半歲，愛子就意外夭亡，讓蘇軾陷入極度悲慟之中。知迷欲自反，一慟送余傷。儲(chǔ)藥如丘山，臨病更求方。感此欲忘生，一臥終日僵。母哭不可聞，欲與汝俱亡。歸來懷抱空，老淚如瀉水。忽然遭奪去，惡業(yè)我累爾。搖頭卻梨栗，似識(shí)非分恥。幼子真吾兒，眉角生已似?？珊髞?，這個(gè)兒子在蘇軾赴京西上任的船上中暑夭亡。 元豐六年，二十一歲的朝云為蘇軾生下了一個(gè)兒子，這孩子眉眼和額角看上去很像蘇軾，令蘇軾非常高興。 蘇軾最喜歡的是老三蘇過，這 個(gè)孩子性情最像蘇軾，外號(hào)叫小坡。 亦莫事登陟，溪山有何好。 紛紛何時(shí)定，所至皆可老。 小兒耕且養(yǎng)，得暇為書繞。 大兒牧眾稚，四歲守孤嶠。 11 披云見天眼，回首失海潦。 蘇軾曾寫過《將至廣州用過韻寄邁迨二子》： 皇天遣出家，臨老乃學(xué)道。蘇軾請(qǐng)了和尚為蘇迨落發(fā)摩頂，一落發(fā)摩頂，這了孩子立刻跑得跟別的孩子一樣快了。德興舊志將蘇邁列入名宦之列，宋時(shí)造有蘇堂，以示對(duì)蘇邁的懷念。這是蘇軾對(duì)即將赴任的兒子的勉勵(lì)。以此治財(cái)常思予，以此書獄常思生。這是蘇邁第一次赴任，蘇軾與兒子 蘇邁在江西湖口分別。 蘇軾不僅把這個(gè)塊石硯也成了蘇東坡家的傳家寶，而且讓其精神代代相傳。物品或內(nèi)者品德好，或許外形好，這兩者我要取其硯臺(tái)物品的德行。蘇軾得到這塊硯頭，也認(rèn)為這是文字吉祥的象征。蘇軾試著把它作硯臺(tái)來寫字，很能發(fā)墨，可惜沒有儲(chǔ)水的地方。一會(huì)兒，小朋友們趕快擁到屋子里，把這一驚奇的發(fā)現(xiàn)立即報(bào)告了蘇軾的父親蘇洵。蘇軾拿起來一看 ，形狀像一條魚，膚色溫潤(rùn)，呈淺綠色。 在蘇軾的《天石硯銘（并敘》中記載了這樣一個(gè)故事：蘇軾 12 歲時(shí)，一天與幾位小朋友在自家紡織后院的空地上挖地做游戲。盡管蘇軾這一輩子遭受了很多很多的苦難，但他從不愿意讓這種苦難讓自己的兒子來分擔(dān)，反而盡可能減輕兒子的痛苦。惟愿孩 兒愚且魯，無災(zāi)無難到公卿。 蘇軾對(duì)待三個(gè)兒子在教育方面有個(gè)總的原則，這個(gè)總的原則是基于自己自身的教訓(xùn)而提出來的。 蘇軾一生，共有四個(gè)兒子，老大蘇邁，是蘇軾二十四歲時(shí)王弗所生；老二蘇迨，是蘇軾三十五歲時(shí)王閏之所生；老三蘇過，是蘇軾三十七歲時(shí)王閏之所生；老四蘇遁，是蘇軾四十九歲時(shí)待妾朝云所生。 在中國(guó)古代的作家中，正是由于有了蘇軾和蘇轍兄弟，才使得中國(guó)的文學(xué)史上出現(xiàn)了耀眼和光彩的一段；也正是因?yàn)橛辛诉@兩個(gè)人，我們才真切體會(huì)到患難知己、休 戚與共的真正含義，才明白什么叫做最為真實(shí)的、真誠(chéng)的人心，他們兩個(gè)人就像兩盞明燈，永遠(yuǎn)照亮著我們未來的路途，照亮著我們每個(gè)人的人心。下片寫悲憤，借景抒情，感世道之險(xiǎn)惡，悲人生之寥落。 此詞反映了作者謫居后的苦悶心情，詞調(diào)較為低沉、哀惋，充滿了人生空幻的深沉喟嘆。酒賤常愁客少，月明多被云妨。 在蘇軾第三次遭貶官，被貶到位于海南的儋州，而蘇轍也因?yàn)楦缍鵂窟B被貶雷州，東坡居海南，子由居雷州，正是一南一北，隔海相望。下闕設(shè)想兄弟二人 退而相從之樂 ，以安慰蘇轍，尤其 我醉歌時(shí)君和，醉倒須君扶我 兩句，溫情脈脈，又讓人忍俊不住。