【正文】 ntroduction of some of the ecological building exist today, and many architects of ecological building creative ideas, the vast majority focused on the use and adaptation of the material aspects of the construction of the external environment, such as solar energy, use of groundwater. These mostly belong to the understanding and use of building physics. Norman Foster building constructed as a space and place is established not merely meet the physical meaning of fort should be a higher level of development to meet the cultural needs of the people, aesthetic concern for the environment can be seen from the London Guildhall,and the transformation of modern technology and aesthetic orientation, theperfect bination of ecology and art is the perfect embodiment of a new aesthetic Ecological Aesthetics. In addition to the above concerns, Norman Foster also paid great attention to microclimate inside the building, he can focus on buildingmicroclimate specific grouped into three areas: First, a suitabletemperature and humidity (to meet the thermal fort and health requirements)。s concept of pollution controlto focus only on production, the life process in sewagmagradually turned to the building from construction to operation andmaintenance of pollution control in the process. building reuse resources In the entire world39。The interior design should try to return to nature, such as natural lighting,natural ventilation, use of solar energy, the ideal indoor green。stheories and works of ecological buildings to learn and acknowledge ecological buildings，this articIe wants to stimuIate Chinese architect s’ attention and consideration of ecological buildingsby the Outstanding achievement of the two masters．Key Words Thomas Herzog，Norman Foster， EcologicaI building， Expressjon form of ecological building，Theory Of ecological bullding．Ecological estheticNow, with the people continue to enhance the prevention of environmental pollution and maintaining ecological balance awareness, as well as urban greening, increasing development, to create low energy, sustainable development of ecobuilding environment of the new building research, more and more attention and respected. So, what kind of building could be called ecobuildings? 1The concept of ecobuilding The socalled ecobuilding, according to the local natural environment, the use of the principle of ecology, building technology, science and other relevant subject knowledge, reasonably arrange and organize the relationship between buildings and other relevant factors in the field and the environment form an organic bination ofoverall, and suitable for human dwelling. Ecological building must meet the following four points: first, to be coordinated with the surrounding environment, and has protective effects on the surrounding ecological environment。赫爾佐格——建筑+技術．李保峰譯北京：中國建筑工業(yè)出版社。數(shù)字生態(tài)建筑．華中建筑，2005(5)：68—69．3 金武．生態(tài)研究的誤區(qū)華中建筑，2001(5)：184 鄭煒邁向生態(tài)的高技術建筑．華中建筑，1999(1)：105—110．5 萬書元當代西方建筑美學．南京：東南大學出版社．2()01．6 英格伯格 ■參考文獻刁文怡．法蘭克福商業(yè)銀行大廈．華中建筑，1999(3)：48—51．奚于成．建筑結(jié)合我國自身的情況，筆者認為可以從以下幾點去嘗試：一是加強生態(tài)意識及生態(tài)建筑的宣傳，從而喚起全民的重視，培養(yǎng)生態(tài)意識；二是組織生態(tài)建筑科研機構，進行生態(tài)建筑及其相關領域的研究和開發(fā)，為中國建筑師的實踐提供有力的支持；三在高校建筑學教育的大綱中增加生態(tài)建筑知識和設計課程的比重；四是通過建立機制來鼓勵和推動生態(tài)建筑的發(fā)展。因此，我們不可能在短時間內(nèi)擁有發(fā)達國家所具有的技術、材料、系統(tǒng)以及理論支持，這就需要我們從實際出發(fā)，借助國外的經(jīng)驗尋求適合中國國情的生態(tài)建筑道路。不同的國家在不同的時期會有不同的條件，還是應該根據(jù)國情去定。正如托馬斯其實，中國也不乏適應自然環(huán)境的建筑精品，如：西北的窯洞——純粹的綠色建筑，低能耗、低污染、冬暖夏涼、環(huán)境宜人，還有大草原上的氈房、新疆的風塔等等。結(jié) 語 兩位建筑大師的生態(tài)建筑思想和作品給我們以啟示：生態(tài)建筑不是一種時髦的風格和標簽，也不是一個口號。他的生態(tài)建筑設計和作品更大程度的是達到人對大自然的向往和享受大自然的目的，他的微觀生態(tài)氣候觀在一定程度上更加符合“高技派”建筑的生態(tài)觀。諾曼5．2不同點托馬斯在這一點上可以說他為“高技派”的未來指明了方向，同時也為我國致力于生態(tài)建筑領域的建筑師提供了寶貴的經(jīng)驗。他的設計中不僅貫穿著生態(tài)設計的理念，同時也充分體現(xiàn)了對傳統(tǒng)文脈和地域文化的關注和尊重，與過去的完全以自我為中心的“高技派”相比，這一轉(zhuǎn)變無疑是十分深刻的。因此，通過最高效的人工技術手段來實現(xiàn)以上目標或達到各要素之間的平衡就成為福斯特不懈追求的方向。福斯特除了以上關注點外還十分注重建筑物內(nèi)部的微觀氣候，他對建筑微觀氣候的關注可以具體歸納為三方面：一是適宜的室內(nèi)溫度和濕度(滿足人體熱舒適及健康的要求)；二是盡可能最多地獲得自然采光(減少人工照明的能耗)；三是最大限度地獲得自然通風(減少空調(diào)能耗)。從他的倫敦市政廳可以看出他對環(huán)境的關注以及對現(xiàn)代技術利用和審美取向的轉(zhuǎn)變，其生態(tài)與藝術的完美結(jié)合是一種新的美學——生態(tài)美學的完美體現(xiàn)。而諾曼福斯特的生態(tài)建筑思想 在現(xiàn)今存在的一些對生態(tài)建筑的介紹以及許多建筑師對生態(tài)建筑的創(chuàng)作思路上，絕大多數(shù)集中在