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英國浪漫主義詩歌的情感價值(參考版)

2024-10-25 02:57本頁面
  

【正文】 s poetry originates from the the emotion which is expressed in the poetry is also one of the major characteristics of the romantic poetry through the above analyze.。s rhapsodic and declamatory tendencies find a subject perfectly suited to autumn wind, burying the dead year, preparing for a new spring, bees an image of Shelley himself, as he would want to be, in its freedom, its destructiveconstructive potential, its universality.“I fall upon the thorns of Life!I bleed!” calls the Shelley that could not bear being fettered to the humdrum realities of everyday!The whole poem has logical feeling, a not easily analyzable progression that leads to the triumphant, hopeful and convincing conclusion: “If winter es, can Spring before behind?” The poem is written in the terza rima form Shelley derived from his reading of nervous thrill of Shelley39。s voice, just as Heaven overflows with moonbeams when the moon shines out from behind “a lonely cloud”.EmotionRomantic poets describe poetry as “the spontaneous overflow of powerful felling” which expresses the poets pay great attention to spiritual and emotional life of man placing the individual rather than the society at the centre of their vision believing in human progress and improvement and advocating the freedom to express personal feelings rejecting convention and tyranny and emphasizing the rights and dignity of the individual Ode to a Nightingale, Keats’s masterpiece, expresses the contrast between the happy world of natural loveliness and human world of the aching ecstasy roused by the bird39。it is the steppingstone between man and god, so romantic poets mostly take describing the nature to eulogize the nature as the is regarded as a “worshipper of nature.” He can penetrate to the heart of things and give the reader the very life of nature.“I Wandered Lonely as a Cloud” is perhaps the most anthologized poem in English wrote this beautiful poem of nature after he came across a long belt of golden daffodils tossing, reeling and dancing along the is a vivid picture of the daffodils here: When all at once I saw a crowd,A host,of golden daffodils,/ Beside the lake,beneath the trees,/ Fluttering and dancing in the breeze./ Continuous as the stars that shine / And twinkle on the milky way,/ They stretch39。s poetry mostly originates from the romanticism poets almost all advocate the is not only the major source of poetic imagery, but provides the dominant subject conceives of nature as “the nurse, the guide and guardian of my heart and soul.” Nature to the romanticists is a source of cleanliness and spiritual understanding。s Lyrical Ballads and to have ended in 1832 with Sir Walter Scott39。奧斯汀(1775年12月16日1817年7月18日),她的作品主要關注鄉(xiāng)紳家庭女性的婚姻和生活,以女性特有的細致入微的觀察力和活潑風趣的文字真實地描繪了她周圍世界的小天地。作品有《仿斯賓塞》、《伊莎貝拉》、《圣亞尼節(jié)前夜》、《許佩里恩》、《夜鶯頌》、《希臘古甕頌》、《秋頌》、《憂郁頌》、《白天逝去了》等。與雪萊、拜倫齊名。約翰雪萊塑造“西風”這一意象,既深刻批判了當時丑陋的社會現(xiàn)實,又表達了自己對黑暗的社會終將過去,美好的未來終將到來的堅定信念。從形式上來看,其五小節(jié)格律完整,皆可完整成篇。這充分體現(xiàn)了作者革命必勝的堅定信念和革命樂觀主義精神,將明亮高昂的主題推向了高潮。這也不禁令我想到”黎明前的黑暗“,可能與此殊途同歸吧。這一佳句表達了對未來的信念?!段黠L頌》全詩的最后,雪萊運用了一個雙行偶句作為結束句。層次分明,結構嚴謹。全詩二十一節(jié)。他說:“一首偉大的詩,是永遠泛溢著智慧與快感之流的不竭源泉。[2] 雪萊十分重視藝術的社會意義,認為藝術的創(chuàng)造是根據(jù)正義和美的原則來促進生活的改造。詩歌在藝術表現(xiàn)上很見功力,文字洗練,節(jié)奏感強,風格清麗明快,而且文章有種雄渾磅礴、大開大闔而又圓融內斂的氣勢。所不同的只是詩人痛苦地感到了理想與現(xiàn)實間的巨大差距,而這個差距對云雀是不存在的。雪萊詩中這一云雀形象,并不純然是自然界中的云雀,而是詩人的理想自我形象或詩人理想的形象載體。詩人把云雀的歌聲同春雨、婚禮上的合唱、勝利的歌聲相比,突出云雀歌聲所具有的巨大力量。詩人運用比喻、類比、設問的方式,對云雀加以描繪。詩中,詩人運用浪漫主義的手法,熱情地贊頌了云雀。詩作有:《愛爾蘭人之歌》《戰(zhàn)爭》《魔鬼出行》《麥布女王》《一個共和主義者有感于波拿巴的傾覆》《瑪麗安妮的夢》《致大法官》《奧西曼迭斯》《逝》《一朵枯萎的紫羅蘭》《召苦難》《致瑪麗》《伊斯蘭的反叛》《1819年的英國》《饑餓的母親》《解放的普羅米修斯》《羅薩林和海倫》《欽契》《含羞草》《云》《致云雀》《自由頌》《阿多尼斯》《一盞破碎的明燈》《致云雀》是雪萊抒情詩不朽杰作之一。其一生見識廣泛,不僅是柏拉圖主義者,更是個偉大的理想主義者。雪萊英國文學史上最有才華的抒情詩人之一。珀西全詩從頭到尾都表現(xiàn)了詩人當時的心情,從“今日的悲傷”,到“此刻的憂傷”,再到“長久地懊悔”,到最后“淚眼盈盈,默默無語”。拜倫著名的詩還有《當初我們兩分別》《給一位淑女》《雅典的女郎》《希臘戰(zhàn)歌》《她走在美麗的光彩里》《我見過你哭》《我給你的項鏈》《寫給奧古斯塔》《普羅米修斯》《錫雍的囚徒》《給托馬斯拜倫不僅是一位偉大的詩人,還是一個為理想戰(zhàn)斗一生的勇士;他積極而勇敢地投身革命,參加了希臘民族解放運動,并成為領導人之一。哈羅德游記》、《唐璜》等。拜倫(1788—1824),是英國19世紀初期偉大的浪漫主義詩人。喬治這個水手經(jīng)受了無數(shù)肉體和精神上的折磨后,才逐漸明白“人、鳥和獸類”作為上帝的創(chuàng)造物存在著超自然的聯(lián)系??吕章芍蔚拿豆胖圩釉仭肥且皇琢钊穗y以忘懷的音樂敘事詩,該詩簡潔的結構和樸素的語言向人們講述了一個生動的罪與贖罪的故事。以〈古舟子詠〉(亦可稱作〈古舟子之歌〉)(The Rime of the Ancient Mariner)一詩成為名家,其文評集《文學傳記》(Biographia Literaria)以博大精深見稱,書中對想像(imagination)與幻想(fancy)的區(qū)別尤其著名。泰勒是浪漫 主義詩歌不可多得的佳作。用“大眾化的語言”“將平凡的事物染 上一層幻想的色彩”。意境時而柔和高 遠,時而活潑跳動??v觀整詩,畫面由人及景,再由景及人。每每讓他孤寂的內心感到 充實與快樂。在最后一節(jié),身居臥室的詩人千萬次的回憶與 沉思,“They flash upon inwardeye,Which solitude。此時詩的意境又趨柔和,節(jié)奏由動轉靜。在第三四節(jié),詩人面對波光粼粼的湖面放緩了思緒:“I gazed littlethought”(我凝視凝視卻沒有思緒)。眾多微小的水仙如星子般組成了花的海洋,詩人的神思徜徉 沉醉其間。他內心的孤 寂也被水
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