【正文】 like some palace maze being as it progressed more and more draped with creepers and lianas with gree n, scarlet, and yellow leaves, the palms interspersed with bamboo and deciduous trees dotted with flaming orchids until almost at the limit of his sight the whole ended in a spangled wall whose predominant color was blackgreen. The boy walked toward the beach, then down the beach until he stood in kneedeep water as warm as blood. He di。s, turned from side to side. The boy was thin, and naked as a frog. Ahead of him the sand sloped gently down toward sapphire water。 then, as though goaded from below, he vaulted up and onto the beach, turned, and kic ked sand into the dar k hatchway from which he had emerged. It slammed shut. The boy was about fourteen. For a time he squatted, pushing the sand aside and trying to find the door. A few centimeters down, his hands met a gritty, solid material which, though neither concrete nor sandstone, shared the qualities of both sandfilled anic plastic. On it he scraped his fingers raw, but he could not locate the edges of the hatch. Then he stood and looked about him, his head moving continually as the heads of certain reptiles go back and forth, with no pauses at the terminations of the movements. He did this constantly, ceaselessly alwaysand for that reason it will not often be described again, just as it will not be mentioned that he breathed. He did。 with dilated eyes hypnotically dark he paused, his neck just w here the ant lion39。 I responded. She hesitated, then pushed the bushes farther apart. I saw a girl a little shorter than I was, and perhaps a little younger. She wore reddishbrown dungarees with a yellow shirt. T he cross stitched to the front of the dungarees was of a dar ker brown material. Her hair was tied on e ither side of her head with yellow ribbon s. She stood still for a few seconds as though uncertain about leaving t he security of the bushes, then curiosity got the better of her caution, and she stepped out. I stared at her because she was pletely a stranger. From time to time there were gatherings or parties w hich brought together all the children for miles around, so that it was astonishing to 沈陽航空工業(yè)學院畢業(yè)設計論文 致謝 26 encounter one that I had never seen before. A grain of sand, teetering on the brink of the pit, trembled and fell in。 then a shaking of the top twigs in a bunch of bushes caught my eye. The branches parted, and a face looked out at me. It was a small face, sunburned, and clustered about by dark curls. The expression was somewhat serious, but the eyes sparkled. We regarded one another for a moment, then: 39。 Hullo!39。 other people, as far as she knew, did not have such pictures in their heads, either sleeping or wa king, so it would be unwise to mention them. That was good advice, and luc kily I had the sense to ta ke it. People in our district had a very sharp eye for the odd, or the unusual, so that even my lefthandedness caused slight disap proval. So, at that time, and for some years afterwards, I did not mention it to anyone — indeed, I almost fot about it, for as I grew older the dream came less frequently, and then very rarely. But the advice stuc k. Without it I might have mentioned the curious understanding I had w ith my cousin Rosalind, and that would certainly have led us both into very grave trouble — if anyone had happened to believe me. Neither I nor she, I think, paid much attention to it at that time : we simply had the habit of caution. I certainly did not feel unusual. I was a normal little boy, growing up i n a normal way, taking the ways of the world about me for granted. And I kept on like that until the day I met Sophie. Even then, the difference was not immediate. It is hindsight that enables me to fix that as the day when my first small doubts started to germinate. That day I had gone off by myself, as I often did. I was, I suppose, nearly ten years old. My next sister, Sarah, was five ye ars older, and the gap meant that I played a great deal alone. I had made my way down the carttrack to the south, along the borders of several fields until I came to the high bank, and then along the top of the bank for quite a way. The bank was no puzzle to me then: it was far too big for me to think of as a thing that men could have built, nor had it ever occurred to m e to connect it with the w ondrous doings of the Old People whom I sometimes heard about. It was simply the bank, ing round in a wide curve, and then running straight as an ar row towards the distant hills。 so it might be that w hat I was seeing was a bit of the world as it had been once upon a time — the w onderful world that the O ld People had lived in。 yet, waking, I had never seen the sea, or a boat. ... And the buildings were quite unlike any I knew. The traffic in the streets was strange, carts running with no horses to pull them。這階段不斷的學習和探索，更使我受益非淺。我表示 衷心 的感謝！劉 老師 那種 認真負責的工作態(tài)度，嚴謹?shù)闹螌W精神 也 使我 受 益匪淺 ，這在我以后 工 作中會有很大的幫助，再次感謝劉老師﹗ 非常感謝系里各位老師在畢業(yè)設計階段為我們所做的一切工作，感謝他們?yōu)槲覀兲峁┝己玫沫h(huán)境，并對我們的畢業(yè)設計進行督促，讓我們能按時完成任務。在剛開始設計階段，不知道從何下手，是劉老師的耐心講解啟發(fā)了我。沈陽航空工業(yè)學院畢業(yè)論文 參考文獻 23 參考文獻 [1] 鐘軍 . Visual Basic 數(shù)據(jù)庫高級實例導航 [M].北京：科學出版社 .2020 [2] 李曉黎 .Visual Basic SQL Server 數(shù)據(jù)庫應用系統(tǒng)開發(fā)與實例 [M].北京：人民郵電出版社 .2020 [3] 薩師煊，王珊 .數(shù)據(jù)庫系統(tǒng)概論 [M].北京：高等教育出版社， 2020 [4] 溫志華，王顯文 ． Visual Basic 多媒體實用編程技術 [M]． 北京：中國水利水電出版社， 2020 [5] 段興等 .Visual Basic 控件實用程序設計 100 例 [M].北京：人民郵電出版社 .2020 [6] 飛思科技產(chǎn)品研發(fā)中心 .Visual Basic 數(shù)據(jù)庫開發(fā)實例精粹 [M].北京：電子工業(yè)出版社 .2020沈陽航空工業(yè)學院畢業(yè)設計論文 致謝 24 致 謝 經(jīng)過這幾 個月的畢業(yè)設計，基本上完成了自動 點播 系統(tǒng)的開發(fā)。如果是按歌星點播，最好應該把歌星的照片顯示出來，這樣才知道是不是你想要的結果。 調(diào)整音箱效果：音量 /伴音 /人聲 /左右聲道/原唱 /清唱 /低音 /升調(diào) /高音等；點播曲目管理：選中的曲目排隊 /選中的曲目優(yōu)先被點唱 。例如，在調(diào)試刪除優(yōu)先窗口時，對于優(yōu)先不成功的原因，進行分析，然后逐一排除，最終解決問題。例如上面列舉出的歌曲查詢