【正文】 that i s, the pai nter does not atem pt to pai nt objects as we see them wi th our eyes, but i nstead concentrates on certai n quali ti es of the object, usi ng col or, l i ne and shape to represent them. O n the other hand, som e pai ntings of m odern art are so reali sti c that they l ook l i ke photographs. These styl es are so di fferent. Who can predi ct what pai nti ng styl es there wi l be in the future? TH E BEST OF MANH ATTAN’S ART GALLERIES The Fri ck Col ecti on (5th Avenue and E. 70th Street) Many art l overs woul d rather vi sit thi s smal art gal ery than any other i n New York. H enry Cl ay Fri ck, a ri ch N ew Yorker, di ed i n 1919, l eavi ng hi s house, furniture and art col ecti on to the Am eri can people. Fri ck had a preference for pertwenti eth century Western pai nti ngs, and these are wel represented i n thi s excel l ent col ecti on. You can al so expl ore Frick’s beauti ful hom e and garden which are wel l worth a vi si t. Guggenheim Museum (5th Avenue and 88th Street) Thi s m useum owns 5, 000 superb m odern pai nti ngs, scul ptures and drawi ngs. These art works are not al di splayed at the sam e tim e. The exhi bi ti on i s al ways changi ng. It wi l appeal to those who l ove Im presi oni st and PostImpressi oni st pai nti ngs. The Guggenheim Museum buil ding i s al so worl dfam ous. When you wal k i nto the gal l ery, you feel as if you were i nsi de a fragi l e, whi te seashel . The best way to see the pai nti ngs i s to start from the top fl oor and wal k down to the bottom . There are no stairs, just a ci rcul ar path. The m useum al so has an excel ent restaurant. Metropoli tan Museum of Art (5th Avenue and 82nd Street) The reputati on of thi s m useum l i es i n the vari ety of i ts art col ecti on. Thi s covers m ore than 5, 000 years of ci vil i zati on from m any parts of the worl d, i ncludi ng Am eri ca, Europe, Chi na, Egypt, other African countri es and South Am eri ca. The m useum di splays m ore than just the vi sual deli ghts of art. It i ntroduces you to anci ent ways of li vi ng. You can visi t an Egypti an templ e, a fragrant Mi ng garden, a typi cal room i n an 18th century French house and m any other special exhi bi ti ons. Museum of Modern Art ( 53rd Street. Between 5th and 6th Avenues) It i s amazi ng that so m any great works of art from the late 19th century to the 21st century are housed i n the same m useum. The col ecti on of Western art i ncl udes pai nti ngs by such fam ous arti sts as Mo, Van Gogh, Picasso and Mati sse. A few words of warni ng: the admi ssion pri ce is not cheap and the museum i s often very crowded. Whi tney Museum of Am eri can Art (945 Madi son Avenue, near 75th Street) The Whi tney hol ds an excel ent col l ecti on of contem porary Am eri can pai nti ng and scul pture. There are no perm anent di spl ays i n thi s museum and exhi bi ti ons change al l the tim e. Every two years, the Whi tney hol ds a speci al exhi biti on of new art by li vi ng arti sts. The museum al so shows vi deos and fi lm s by contem porary vi deo arti sts. Unit 2 A FEW SIMPLE FORMS OF ENGLISH POEMS There are vari ous reasons why peopl e wri te poetry. Som e poem s tel a story or describe somethi ng i n a way that wi l l gi ve the reader a strong im pressi on. Others try to convey certai n em otions. Poets use m any different form s of poetry to express themsel ves. In thi s text, however, we wil l l ok at a few of the si mpl er form s. Som e of the fi rst poetry a young chil d l earns in Engl ish i s nursery rhym es. These rhym es l i ke the one on the ri ght (A) are sti l a m on type of chil dren’s poetry. The l anguage i s concrete but im agi nati ve, and they del i ght sm al l chil dren because they rhym e, have strong rhythm and a l ot of repeti ti on. The poems m ay not make sense and even seem contradictory, but they are easy to l earn and recite. By pl ayi ng wi th the words i n nursery rhymes, chi l dren l earn about language. H ush, li ttl e baby, don’t say a word, Papa’s goi ng to buy you a m ocki ngbi rd. If that m ocki ngbi rd won’t si ng, Papa’s goi ng to buy you a di am ond ri ng. If that di amond ri ng turns to brass, Papa’s goi ng to buy you a l ooki nggl ass. If that l ooki nggl ass gets broke, Papa’s goi ng to buy you a bi l ygoat. If that bil lygoat runs away, Papa’s goi ng to buy you another today. O ne of the sim pl est ki nds of poem s are those li ke B and C that l ist thi ngs. List poem s have a fl exi ble l i ne l ength and repeated phrases whi ch gi ve both a pattern and a rhythm to the poem . Som e rhym e (l i ke B) whil e others do not (li ke C). I saw a fi shpond al on fi re I saw a fi shpond al l on fire, I saw a house bow to a squi re, I saw a person twel vefeet hi gh, I saw a cottage in the sky, I saw a bal loon m ade of l ead, I saw a coffi n drop down dead, I saw two sparrows run a race。 數(shù)學(xué)思考方面 ，進(jìn)一步培養(yǎng)分析、綜合和簡(jiǎn)單推理的能力，提高用方程表示數(shù)量關(guān)系的能力，發(fā)展抽象思維，增強(qiáng)數(shù)感。 ，認(rèn)識(shí)扇形統(tǒng)計(jì)圖，初步體會(huì)扇形統(tǒng)計(jì)圖描述數(shù)據(jù)的特點(diǎn)，能根據(jù)扇形統(tǒng)計(jì)圖所呈現(xiàn)的信息提出或解決一些簡(jiǎn)單的問(wèn)題；結(jié)合實(shí)例，初步認(rèn)識(shí)眾數(shù)與中位數(shù)的意義，會(huì)求一組簡(jiǎn)單數(shù)據(jù)的眾數(shù)和中位數(shù)，初步體會(huì)眾數(shù)、中位數(shù)和平均數(shù)等不同統(tǒng)計(jì)量的不同特點(diǎn)。 教學(xué)目標(biāo) ： 知識(shí)與技能目標(biāo) ，進(jìn)一步理解百分?jǐn)?shù)的意義，體會(huì)百分?jǐn)?shù)與分?jǐn)?shù)、小數(shù)的聯(lián)系和區(qū)別，加深對(duì)方程思想方法的認(rèn)識(shí)，提高解決相關(guān)問(wèn)題的能力；在具體情境中理解比例的意義和級(jí)別性質(zhì)，認(rèn)識(shí)成正比例和成反比例的量，體會(huì)不同領(lǐng)域數(shù)學(xué)內(nèi)容的內(nèi)在聯(lián)系，加深對(duì)相關(guān)數(shù)量關(guān)系的理解。 that i s, the painter does not attem pt to paint objects as we se them wi th our eyes, but i nstead concentrates on certain quali ti es of the object, usi ng col or, li ne and shape to represent them. O n the other hand, som e pai nti ngs of m odern art are so reali sti c that they l ok l i ke photographs. These styl es are so different. Who can predict what pai nti ng styl es there wi l be i n the future? TH E BEST OF MANH ATTAN’S ART GALLERIES The Fri ck Col ecti on (5th Avenue and E. 70th Street) Many art lovers woul d rather vi si t thi s sm al l art gal l ery than any other i n N ew York. H enry Cl ay Fri ck, a rich New