【正文】 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same pers on. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly petent, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural 16 product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s Zhangye city during their journey to Kazakhstan, May 5, 2021. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2021. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。非常感謝大家在我的論文設計和寫作中給予我極大的幫助，使我對整個論文思路有了總體的把握。其實不僅帶來社會總的利益損失，同時帶來社會的不公平。其實嚴重影響了勞動力資源的合理配置，降低了就業(yè)率，影響勞動者就業(yè)的積極性。 人力資本投資 ， 就是花在教育、培訓和保健 方面的支出。 （七）、減少職業(yè)隔離 職業(yè)隔離導致受歧視群體在低收入部門占了大多數(shù)，使得低工資職業(yè)和高工資職業(yè)之間形成了一個巨大的鴻溝。例如，中國明確規(guī)定，安置 “四殘”人員占生產(chǎn)人員總數(shù)的 35%以上，免征企業(yè)所得稅；比例在 10%35%之間的，減半征收企業(yè)所得稅。 （五）、進行反歧視政府補貼。偏見是指人們對那些和自己有著不同特征或信仰的其他人持有的成見和反對態(tài)度，它是歧視的內(nèi)在動因。中國已經(jīng)加入世界貿(mào)易組織，隨著各國經(jīng)貿(mào)往來的頻繁，涉外勞動關系的范圍也將日益擴大，而且我國已經(jīng) 簽署了一些國際勞工公約，但國內(nèi)立法的滯后無疑會使這方面產(chǎn)生越來越多的糾紛無法得到及時有效的解決。 就業(yè)歧視等行為，表面看似乎只是侵害了求職者個人的利益，但實質(zhì)上它同時威脅和侵害到整個弱勢群體的基本生存權，是對社會公益的侵害。參照對比以上規(guī)定 ， 中國對就業(yè)歧視的界定存在明顯的缺陷。還應參照世界慣例和其他國家的經(jīng)驗設立專門的機構對就業(yè)歧視進行監(jiān)察 ，如美國的公平就業(yè)機會委員會（ EEOC）等 ， 以提高對就業(yè)歧視的監(jiān)察力度。因此相對應的解決方案有： （一）、修改現(xiàn)行法律或者制定禁止就業(yè)歧視的專門法律，并注重法律的可操作性，加強執(zhí)法力度和監(jiān)督力度，是法律的規(guī)定落到實處。 （二）、造成人力資源成本的提高 由于用人方對年齡和學歷的限制 ， 原本經(jīng)過一般技能培訓就能勝任的崗位 ， 求職者為了滿足雇主而非工作的苛求 ，不得不投人更多的時間和金錢用于培訓“ 充電”。即使他們好不容易在城市里找到一份工作 ， 也還是不能享受到城里工人所享受到的養(yǎng)老保險、醫(yī)療保險、住房福利制度等等。 （九）、在社會保障及福利方面的歧視 在我國，很多城市對農(nóng)民工根本沒有社會保障 制度 ，農(nóng)民工即使是處于實際失業(yè)狀態(tài)，也不屬于中國社會保障制度所覆蓋的范圍。北京市幾乎所有較好的行業(yè)和工種都限制外地人員進入 ： 金融、保險、郵政、公司職員、會計、出納、收銀員、售票員、檢票員、乘務員等等 ； 而允許外地勞動力進入的行業(yè)及工種基本上都是急、險、臟、難、重等類型。 （八）、行業(yè)歧視 一些勞動力流向較集中的城市 ，