【正文】 the Ecumenical Category three Cliff statues excavated at the Northern Song Dynasty biographical Southern Shaoxing year for the first 21 years [10941151).Link numbered 16, as Buddhism, Taoism Ecumenical sculptures, especially the most prevalent characteristics of grotto art in its longterm development process, the various periods have accumulated its own unique pattern and grotto art as a representative of the Dazu rock carvings in absorption, thaw early grotto art on the basis of the essence, in the subject matter, in the form of art, modeling techniques, aesthetic taste various aspects than the previous generation breakthroughs, with a clear Nationalization, life characteristics, as with Chinesestyle model of the grotto art, and Dunhuang, Yungang, Longmen Grottoes, constitute a plete Chinese grotto art stone diverse topics, rich content, Confucianism, Buddhism, Taoism, “three” Category evil, unlike early rock carvings of Chinese grotto art innovation and the development of an important focused on sculpture and art aesthetic rules and forms and laws of Cliff Cave Sculptures Sculptures direction to the development of good Rock Carvings in various aspects of the grotto art to create a new form, as a Chinese style and Chinese traditional culture, and the embodiment of traditional Chinese aesthetics and aesthetic pleasures of grotto art stone grotto art is the life of a short, on its scale, platform39。工匠們先將水積于臥佛上面的池塘里，再用石頭把這個(gè)缺口壘起，打上九龍和太子，然后通過暗道，使水經(jīng)最大的龍嘴緩緩?fù)鲁?，沐浴金盆中初生的太子。?jù)《涅槃經(jīng)》記載，釋迦牟呢涅槃時(shí)，大地發(fā)出六種震動(dòng)，樹倒房塌，眾弟子慌亂。即佛教中所說的，萬源發(fā)于心。以其雕刻細(xì)膩、精美、典雅著稱于世，展示了晚唐至宋中國民間佛教信仰及石窟藝術(shù)風(fēng)格的發(fā)展、變化，尤以觀音造像最為突出，被譽(yù)為“中國觀音造像陳列館”。大足石刻在諸多方面都開創(chuàng)了石窟藝術(shù)的新形式，成為具有中國風(fēng)格和中國傳統(tǒng)文化內(nèi)涵，以及體現(xiàn)中國傳統(tǒng)審美思想和審美情趣的石窟藝術(shù)的典范。寶頂石刻寶頂山摩崖造像位于大足縣城東北15千米處，由宋代高僧趙智鳳于南宋淳熙至淳年間（1174年－1252年），歷時(shí)70余年，以大佛灣、小佛灣為中心，有總體構(gòu)思組織開鑿而成，是一處造像逾萬尊、在石窟中罕見的完備而有特色的大型佛教密宗道場，它把中國密宗史入后延續(xù)了400年左右，為中國佛教密宗史增添了新頁。第一篇：關(guān)于重慶大足石刻的導(dǎo)游詞各位朋友大家好，參觀大足石刻。最具代表性的是第136號轉(zhuǎn)輪經(jīng)藏窟,被公認(rèn)為是“中國石窟藝術(shù)皇冠上的一顆明珠”。它注重雕塑藝術(shù)自身的審美規(guī)律和形式規(guī)律，是洞窟造像向摩崖造像方向發(fā)展的佳例。北山石刻位于大足縣城北面約1公里處，共有摩崖造像5000于尊，由唐末刺史韋君靖開鑿于唐景福元年，后由地方官吏、鄉(xiāng)紳、僧尼等續(xù)建，至南宋紹興年間（892年－1162年）結(jié)束，歷時(shí)250年。我們依次從里往外看，輪盤的中心圈中坐著一個(gè)人，表示修行的眾生，從其心際飛出了六道佛光，把整個(gè)輪盤劃分為六個(gè)部分。各位游客，現(xiàn)在你們看到的就是釋迦涅槃圖，又稱臥佛，這是大佛灣中最宏偉的一龕造像了，側(cè)臥的釋迦佛半身像長31米，表現(xiàn)的是釋迦牟呢涅槃時(shí)的情景。此處以前是一缺口，溪水終年流淌不息。第四篇：重慶大足石刻英語導(dǎo)游詞重慶大足石刻英語導(dǎo)游詞Dazu Rock Carvings in Chongqing guides English words Good friends are wele to visit the Dazu rock rock carvings, was built in the first year of Tang 6th(650), through the Five Dynasties period, pared to the 10971138, remnants until Ming and Qing, China advanced stone works of Rock Carvings in Chongqing Municipality is Dazu County Cliff main performance figures of t