【正文】 會(huì)保障、更高水平的醫(yī)療衛(wèi)生服務(wù)、更舒適的居住條件、更優(yōu)美的環(huán)境，期盼孩子們能成長(zhǎng)得更好、工作得更好、生活得更好。s experience as the main clue,interweaves the unjust charge, love and revenge three independences but also incident crosscorrelation stories together,the plot is crisscrossed,and the clue is author use insert narrates,foreshadowing,upholstery and so many techniques,causes the structure integrity and strictness,the plot winding anxious and rich of theatrical nature,it displayed the remarkable artistic style “A tale of two cities” is solemnity and melancholy,fillsindignantion,but lacks the humor of the early The novel description is one year near sixty years of age senior fisherman, when alone goes to sea in one fishing, fished one big fish, actually did not senior fisherman socialized several days after the fish, only then discovered this was the big marlin which one surpassed the oneself fishing boat several fold, although knew perfectly well very difficult to win, but still did not give and further because in the big marlin wound fish fishy smell brought in several crowds of shark fish snatches the food, but the old person still did not hope like this to give up, finally highlighted encircles tightly, returned to the big fish belt the fishing port, lets other fishermen not admire I read “ the senior fisherman think: Here to the seacoast really was too near, perhaps could have a bigger fish in a farther place...” When, I extremely admire this senior fisherman, because he by now already projected on some fish, but he had not settled to the present situation, but was approaches the bigger goal has a look us, usually meets one slightly is difficult, we all plain will be the motherland future, will be supposed to like this old person same mind lofty aspiration, will even better pursue even better, the bigger 《悲慘世界》“ Les Miserables ”(1862)is representative works of Victor Hugo,as one of the most famous novels in the French novel basic plot is Ran A Rang pitiful life originally is one poor family background worker, because the ine insufficient family member gets by, by one time stole the bread is arrested is put in 19 years firm prison and the bitter service punishment pletely after also has the larceny behavior, but benevolent bishop in the rice the sorrowful influence, the transformation is one shed oneself manner uses an alias is Madland, works as the entrepreneur, and is pushed for soon and further because exposed the status is arrested is put in prison, after escapes rescues the deceased female worker Fantin39。他的真情能感動(dòng)別人，所以更能取得別人的信賴。只要我們像魯濱孫一樣，在困境面前毫不退縮，有他那種不畏困難的精神，在絕境中求生的信念，有什么事情我們不會(huì)成功呢？又有什么事情能比魯濱遜所遭受到的更糟呢？現(xiàn)在的我們就象生活在溫室里的花朵，沒(méi)有經(jīng)受過(guò)人生真正的挫折，只有經(jīng)歷過(guò)磨難，才能成就一個(gè)真正堅(jiān)強(qiáng)的人。簡(jiǎn)驚異而無(wú)法理解這種信條，也無(wú)法理解和贊同她的寬容，然而她感覺(jué)到了海倫是“憑借一種我所看不到的光來(lái)考察事物的”。圣潔的靈魂《茶花女》讀后感墻角里鉆出一朵茶花。奇怪的資本主義上流社會(huì)的人們，明明鄙視放蕩的妓女，卻又要逼良為娼。是的，瑪格麗特死了，孤獨(dú)的死去，再也沒(méi)了活著時(shí)的奢華，以前無(wú)數(shù)的情人也忘了她。令我感到欣慰的是發(fā)現(xiàn)了一段被自己忽略了的細(xì)節(jié)，書中是這樣描述的“在海倫的墓碑上有這么一個(gè)拉丁文，Resurgam意思是我將再生”。包括簡(jiǎn)愛(ài)。他在這個(gè)過(guò)程中，也遭遇了很多困難和挫折，負(fù)出了辛勤的勞動(dòng)。為什么這么說(shuō)呢？證據(jù)如下：（一）在新世紀(jì)的現(xiàn)代生活中，人們凡事都提倡‘愛(ài)的教育’，無(wú)論對(duì)于小孩，年輕人還是成年人?？吹竭@兒，我很羨慕這位如此?幸運(yùn)?的主人公，但同時(shí)我又想：人們之所以討好他，不就是因?yàn)楫?dāng)時(shí)人們太看重金錢了嗎？拜金主義是可恥的，不勞而獲更不應(yīng)該！金錢不是萬(wàn)能的，世界上還有許多比金錢更重要的東西……雙城記英文讀后感After reading “A tale of two cities”“A tale of two cities” is one of Dickens39。習(xí)近平同志圍繞中國(guó)夢(mèng)的內(nèi)容實(shí)質(zhì)、實(shí)現(xiàn)途徑、依靠力量、外部環(huán)境等提出了一系列新思想新論斷，強(qiáng)調(diào)中國(guó)夢(mèng)要落實(shí)到各項(xiàng)工作中。直到最后安利柯轉(zhuǎn)學(xué)了，大家的十分難過(guò)，我也為此感動(dòng)的心酸酸的。老人在后來(lái)對(duì)孩子說(shuō)了一句話：可是后來(lái)鯊魚打敗了我。直到星期五的出現(xiàn)，這個(gè)希望才重新油然升起！魯濱孫是個(gè)偉大的人，堅(jiān)毅的人，孤身一人在這個(gè)荒無(wú)人煙的孤島上生活了27年。上蒼給予魯濱孫的困難，對(duì)于他也更具有挑戰(zhàn)性！風(fēng)暴海嘯，全船除魯濱孫無(wú)一幸免，真正的生存挑戰(zhàn)才剛剛開(kāi)始！流落孤島，他為了找到合適的住所，在岸上跑了一整天，在一個(gè)山巖下找到了一個(gè)棲身之所。作者以華生的口吻敘述福爾摩斯探案的過(guò)程，將大偵探的形象描繪得淋漓盡致?！栋㈤L(zhǎng)與〈山海經(jīng)〉》回憶了保姆長(zhǎng)媽媽的淳樸善良。水滸傳也被改變?yōu)殡娪?、電視劇，家喻戶曉。如秋果掛滿了枝頭,叫我們精神飽滿,文學(xué)名著的奧妙潛移默化的感染著我,塑造著我,成就著我,“雪中送炭”,無(wú)疑是我們對(duì)文學(xué)名著的真實(shí)體驗(yàn)!我國(guó)的四大名著,可謂是博大精深,我對(duì)四大名著也情有獨(dú)鐘.《西游記》,小時(shí)候的我讀起它來(lái)總覺(jué)得既過(guò)癮又有趣,那光怪陸離,色彩斑斕的神話世界,令我留戀忘返,再次拜讀《西游記》,我的領(lǐng)悟卻變了.〈〈西游記》,不脛而走,風(fēng)靡文壇,故事流傳,廣及民間,真可謂家喻戶曉,婦孺皆知,《西游記》時(shí),他那曲折的情節(jié)中暗藏著人們渴望而不可及的生活理想和人性追求,那就是——,新世紀(jì)的人們都格外向往自由,向往那個(gè)自由的化身:,“不伏麒麟轄,不服鳳凰管,又不服人間王位所約束”,闖龍宮,鬧冥司,他的品質(zhì)中最突出的就是向往自由,他始終在追求自由,每個(gè)人都明白, 在現(xiàn)在,即使是將來(lái),完全的自由終究是不可能的,但我們可以讓內(nèi)心盡量變得廣闊而幽深,讓它能夠無(wú)邊無(wú)際,目前社會(huì)上還有許多人被一些價(jià)值不大的東西所束縛,卻自得其樂(lè),人們對(duì)物質(zhì)需求已不再迫切, 我認(rèn)為現(xiàn)代人最缺乏的就是一種開(kāi)拓進(jìn)取, 《西游記》中,竟深深蘊(yùn)含著新世紀(jì)人們最渴望的自由精神……這是我此次閱讀《西游記》體會(huì)最深的,以前的熱鬧已煙消云散,我就是孫悟空,去尋找我的自由,我的精神帶著意味未了