【正文】 a and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。 he wondered how in the world he came to belong there. Indeed his penning and publishing this essay caused his exmunication from high society and also caused him a lot of legal trouble. The legal trouble came as a result of the fact that he was speaking out against the government. I like to reference such texts from time to time as an example both of the fact that history does repeat itself and that this world is not so big that what applies to one society does not in any way touch another society. On a much smaller scale,Emerson39。s to e and recapping the key points. This device, not used in the original, is culturally understandable but artistically mediocre. What puzzles me is the two new songs for the opening and end credits. They were written in English, but sung by Chinese with an unfortable accent. They were obviously designed to appeal to an Englishspeaking base, but do not jibe with the Chinese dialogue. Speaking of the dialogue, the English translation, picked apart by some Chinese, is too literal for my taste. I can imagine a typical American hit by a flurry of royal ranks, addresses and greetings, even multiple names and titles for the same person. The first half hour must be a swamp to wade through, very much like my experience of getting through a Tolstoy tome with its endless inflections of names transliterated into lengthy Chinese. I see the choice of verbatim translation as an effort for conveying exotica. It is fairly pete nt, with no error that I could detect, but fails to rise above words or capture the essence of the language. A cultural product usually crosses over to a foreign territory first by an emphasis on the monalities. But whether inside or outside China, the temptation to sell it for the differences is just too great. Sure, the sumptuous sets and costumes are a big attraction, but the narrative technique has bee－ how shall I put it?－ a bit anglicized, which is necessary for cultural export. Judging by the responses, this legend, which, contrary to the claim of the English trailer, is totally fictitious, has departed from China but not yet landed on American shores. I am a big fan of Ralph Waldo Emerson39。 立體構成＝ Threedimensional導師淵博的專業(yè)知識、嚴謹?shù)闹螌W態(tài)度，精益求精的工作作風，誨人不倦的高尚師德，嚴于律己、寬以待人的崇高風范，樸實無法、平易近人的人格魅力對 我 影響深遠。最重要的在本次的設計中所經(jīng)歷的挫折，困難中，得到的鍥而不舍的探求精神和多問多學的精神。 圖 11 草繪 “可變剖面掃描 ”特征的第三參照軌跡 選擇主窗口上的 （可變剖面掃描工具），彈出如下圖 12，按著 Ctrl 選擇之前草繪的 3 條直線，如下圖 13 所示，選擇 （創(chuàng)建或編輯掃描剖面）， 圖 12 “可變剖面掃描 ”工具對話框 14 圖 13 選擇上述草繪的三條參照線 草繪如下圖 14 所示掃描剖切曲面，完成后如下圖 15 所示。另外， PROE 還允許用戶自己定義特征 UFD（ Userdefined characteristics），用戶可以通過它建立自己的特征庫；④數(shù)據(jù)庫的再利用，加 速投放市場，需要在較短的時間內(nèi)開發(fā)更多的產(chǎn)品。它不但可以應用于工作站，而且也可以應用到單機上 Pro/E采用了模塊方式，可以分別進行 草圖繪制 、零件制作、 裝 配設計 、鈑金設計、加工處理等，保證用戶可以按照自己的需要進行選擇使用。但在市場應用中，不同的公司還在使用著 從 Proe2021 到 的各種版本， 和 是主流應用版本。有的臺燈還有應急功能，用于停電時無電照明。 1980 年的 Lampampe 和1997 年的 Zettel’z 就是來于紙的創(chuàng)造。隨著社會文化和生產(chǎn)方式的不斷進步 ,人們在家居生活中追求光明和舒適的腳步從未停止過 ,無論是從遠古熊熊燃燒的火把到影影綽綽的燭光 ,還是從現(xiàn)代昏暗昏黃的鎢絲燈泡到五彩斑斕的 LED燈帶 ,無不蘊含著人類文明和科技的進步與發(fā)展。 關鍵詞： 臺燈、 造型設計、 Pro/E II Desk lamp modelling design based on Pro/E Abstract: Desk lamp is used for lighting in people39。一件件的作品的創(chuàng)作可以說也就是一次次和靈感的 偶遇 ， IngoMaurer 用他安靜的敏銳將它們（靈感）捕獲，再用他詩人的氣質將一切的美展現(xiàn)給一雙雙為之閃亮的雙眸。 一般有立柱式的或者夾子的。公司宣布，推出 Creo? 設計軟件。Pro/E 第一個提出了 參數(shù)化設計 的概念，并且采用了單一 數(shù)據(jù)庫 來解決特征的相關性問題。可以在完成實體造型后再嚴格的投影關系產(chǎn)生三視圖和其他需要的三維視圖，因而生成的二維工程圖也是沒有錯誤的；③ 基于特征的參數(shù)化造型，特征造型是目前公認的幾何造型的發(fā)展趨勢，在 PROE 中實體模型都是有一些工程特征組合而成的。 12 圖 9 新建名為 DMT1 的基準平面 以同樣的草繪方法，以剛才創(chuàng)建的 DTM1 基準面為草繪平面，創(chuàng)建第二條草繪線，如下圖 10 所示。 圖 28 臺燈各部件的組合結果圖 22 圖 29 臺燈各部件組合后的爆炸 23 4 總 結 本文通過對臺燈三維造型的設計并利用實體造型軟件 Pro/ENGINEER 創(chuàng)建出臺燈模型。最后終于做完了有種如釋重負的感覺。希望自己能夠繼續(xù)少年時的夢想，永不放棄。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the b oundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100 million yuan, the decline in trading volume and sale rate showed a downturn this year. In the ―Grand View: Chinese Painting Highlight‖ session at China Guardian 2021 spring auctions, Pan Tianshou’s representative work Eagle, Rock and Flora hit a record auction price of 279