【正文】 2kW，(kW一般存在兩個(gè)界面：泥水界面和壓縮界面。當(dāng)污泥沉降性能不大理想時(shí)，才在二沉池的泥斗中積有較多污泥。中心配水直徑為6m，進(jìn)水管采用DN10208鋼管，出水設(shè)4根DN8208鋼管均勻配至每座沉淀池。自然沉淀產(chǎn)生的生污泥呈灰色，有一股不良的氣味，可見到糞便物、廢紙、植物殘?jiān)?，這種污泥脫水很困難，脫水時(shí)通常散發(fā)惡臭氣味，污泥液渾濁而有臭味。本工藝采用污泥活化制取吸附劑技術(shù)來回用污泥。 污泥衍生吸附劑性能（物理活化，炭化溫度500℃）性能項(xiàng)壓伸壓力（kg/cm2）強(qiáng)度（%）容重（g/L）水容重（%）苯吸附（%）硫容量（mg/g）吸附劑6070225795927767性能項(xiàng)碘值（mg/g）比表面積（m2/g）微孔（m2/g）總孔（mL/g）中孔（mL/g）微孔（mL/g）吸附劑248705203（1）污泥泵房污泥泵房?jī)?nèi)設(shè)有回流污泥泵及剩余污泥泵，用于回流污泥至厭氧區(qū)，提升剩余污泥至濃縮池。污泥泵房平面凈尺寸為16m6m，地下深度為4m。（3）污泥脫水車間脫水車間按流量8萬m3/d的規(guī)模設(shè)計(jì)，進(jìn)脫水間污泥干重為9100kg/d，含水率97%，污泥體積為303m3/d?？刂栖浖贛icrosft Windows NT（或Unix操作系統(tǒng)）平臺(tái)上開發(fā)。（2）設(shè)備選型選用高效、低耗的產(chǎn)品。污泥處置技術(shù)展望。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。s lost, I believe, are the interesting setups and pauses that illuminate the Chinese art of storytelling. Much of the plot is still there. It is the flavor that was sacrificed. The American edition uses the framework of the Empress Dowager in her senior years reminiscing at the beginning and the end of each episode, hinting at what39。ve been here I have been tasked with nothing more challenging than learning my students39。s essay affects me very deeply. Not as an urging to bee self reliant – I39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100 million yuan, the decline in trading volume and sale rate showed a downturn this year. In the “Grand View: Chinese Painting Highlight” session at China Guardian 2015 spring auctions, Pan Tianshou’s representative work Eagle, Rock and Flora hit a record auction price of 279 million yuan, while Li Keran’s masterwork Jinggang Mountain fetched million yuan, an unexpected high in recent years. However, the trading volume fells to billion yuan from billion yuan in the same period the year before. The Huangchen 2015 Spring Auctions, which recorded million yuan in total sales, experienced the same. The section number went down to 5 from 12 pared to last year. According to expert Shao Jianwu, the art market did not attract much excitement this year due to the booming stock market and the persistent problems of forgery and fake deals. The two pieces of Chinese painting notched up high price this spring due to their own value not due to a revival in the market. The successful transaction of two works with a hammer price of more than 100 million yuan once again confirms that valuable and rare works of high quality always earn the longlasting high price. Chinese painting and calligraphy is still the pillar of the market. However, the overall sales rate has dropped slightly, which reflects the demand for the ordinary auction goods has weakened,” said the president of China Guardian’s Hu Yanyan. Besides, the entry of new buyers also makes certain changes to the direction of purchasing. In a word, the overall market trend is very unpredictable. Although China Guardian 2015 Spring Auctions has achieved remarkable results, it does not mean that the market has walked out of the predicament. We still have to wait for the big economic boom to invigorate the art market.” Even so, the hot pursuit of some special items appeared this spring. A special session of China Guardian Spring Auctions titled “Fine Gilt—Bronze Buddhist Images” achieved a great deal with total sales volume of million yuan and 92 percent sale rate. The 5th Shamar Rinpoche Statue from 1617th century of Tibet was sold for million yuan. The Beijing Chengxuan Auctions featured almost 2,800 items of coins and stamps in three sessions with good sale rate. The Huachen Auctions also set a special session of photographs under the condition of largescale decline of auction sessions. There was a palpable dull thud of disappointment that acpanied the return of the imperial entourage of Zhen Huan to her homeland. It followed a couple years of hushed excitement as Chinese fans were fed tidbits about their proud concubine who was supposed to conquer the high ground of the North American market. Zhen Huan is, of course, the title character of The Legend of Zhen Huan, a 2011 television series that swept China off its feet and later took other Asian countries by storm. Two years ago, it was reported that HBO, a premium cable service headquartered in the United States, was going to air it in North America after some modification. Now, a condensed version that provides English subtitles but no dubbing has finally been made available on Netflix for online streaming. This version, highly anticipated as a milestone in China39